English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
759
Partitions
Numériques
4 391
Librairie
Musicale
2 814
Matériel
de Musique
145
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
599
PIANO & CLAVIERS
Piano, Voix et Guitare
385
Piano seul
302
Piano Facile
117
Piano, Voix
67
Instruments en Do
32
Orgue
29
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Orgue, Trompette (duo)
1
Clavecin
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
34
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Ukulele
3
Banjo
2
Mandoline
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
135
Chorale 3 parties
28
Chorale TTBB
21
Chorale 2 parties
14
Chorale SSAA
12
Chorale Unison
9
Voix Alto, Piano
6
Voix duo, Piano
3
Voix Soprano, Piano
2
Voix basse, Piano
2
Voix seule
1
Chorale
1
Voix duo
1
Voix haute
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
104
Flûte traversière et Piano
70
Clarinette et Piano
60
2 Saxophones (duo)
54
Hautbois, Piano (duo)
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Saxophone Alto et Piano
37
Flûte, Hautbois, Clarinette, Basson
36
Flûte traversière
36
Quintette de Saxophone: 5 saxophones
33
Quatuor de Saxophones: 4 saxophones
31
Saxophone Soprano et Piano
29
Saxophone Tenor et Piano
26
Saxophone Alto
23
Saxophone Baryton, Piano
22
Hautbois
21
2 Clarinettes (duo)
19
2 Flûtes traversières (duo)
18
2 Hautbois (duo)
16
Saxophone Soprano
14
Saxophone Baryton
14
Saxophone (partie séparée)
14
Saxophone Tenor
14
Hautbois (partie séparée)
12
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Clarinettes
9
Ensemble de Flûtes
8
Flûte, Clarinette (duo)
8
3 Saxophones (trio)
8
Cor anglais, Piano
8
Hautbois, Basson (duo)
8
Clarinette, Basson (duo)
7
Clarinette Basse, Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Trio de Flûtes: 3 flûtes
6
3 Clarinettes (trio)
6
Clarinette, Violon (duo)
5
Hautbois, Violoncelle
5
Flûte, Violoncelle
5
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violoncelle (duo)
4
Clarinette et Alto
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Violon
3
Hautbois, Basson et Piano
3
3 Hautbois
2
Hautbois et alto (duo)
2
Flûte, Clarinette, Piano (trio)
2
Cor Anglais
2
Piccolo, Piano
2
Flûte, Alto (duo)
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Soprano
2
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
Flûte, Basson et Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
2 Hautbois, Piano
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
Clarinette Basse
1
Clarinette, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Trio à cordes
1
Quatuor de Flûtes à bec
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Trombone et Piano
46
Trompette
44
Trompette, Piano
43
Cor et Piano
38
Tuba et Piano
31
Cor
30
Trombone
29
Tuba
29
Euphonium, Piano (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
2 Trombones (duo)
16
2 Trompettes (duo)
16
2 Cors (duo)
15
Trompette, Trombone (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor anglais, Piano
8
2 Tubas (duo)
6
Quatuor de Cuivres
5
Trompette, Cor (duo)
4
Trompette, violon (duo)
3
Ensemble de Trombones
3
Tuba et Orgue
2
Trombone basse
2
Ensemble de Trompettes
2
Trompette, Violoncelle (duo)
2
Cor, Tuba (duo)
2
Cor Anglais
2
Trompette, Saxophone (duo)
1
3 Trompettes (trio)
1
Cor et Basson (duo)
1
Tuba (partie séparée)
1
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Basson (duo)
1
Euphonium
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon et Piano
79
Violoncelle, Piano
61
Alto, Piano
61
Violon
48
Alto seul
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
Violoncelle
25
Contrebasse, Piano (duo)
25
2 Violons (duo)
25
2 Violoncelles (duo)
23
Contre Basse
23
Violon, Violoncelle (duo)
20
Violoncelle (partie séparée)
19
Trio à Cordes: violon, alto, violoncelle
18
2 Altos (duo)
18
Violon, Alto (duo)
12
Violon, Basson (duo)
5
2 Contrebasses (duo)
4
Piano Trio: Violon, Alto, Piano
4
Harpe
4
Alto, Violoncelle (duo)
4
Violon, Clarinette, Piano (trio)
3
Alto et Basson
3
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
3 Contrebasses
2
2 Violoncelles, Piano
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Harpe, Flûte (duo)
1
2 Altos, Piano
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
83
Orchestre
51
Ensemble de cuivres
45
Orchestre à Cordes
25
Ensemble Jazz
24
Ensemble de Percussions
9
Orchestre de chambre
7
Cloches
6
Xylophone
2
Big band
2
Fanfare
2
Jazz combo
2
Orchestre, Violon
2
Vibraphone
1
Batterie
1
Ensemble d'École
1
Marimba
1
Piano et Orchestre
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Into the See
Partitions à imprimer
4 391 partitions trouvées
<
1
26
51
....
4376
Into the Wind, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1199426 Composed by Kevin …
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #798494. Published by Kevin G. Pace (A0.1199426). Poignant, sacred choral music. The text is in reference to the sacrifices of the pioneers of the Church of Jesus Christ of Latter-day Saints.  Music by Kevin G. Pace.  Text by Mark R. Fotheringham. Dedicated to the Willie and Martin handcart companies. Text: Into the wind, we suffer the more. To Zion we march, or to heaven's door. We stumble and fall; angels attend To help us rise up and march on again. No never alone, for God is our guide. We know inside.Tattered and torn, our shoes all in shreds. In sage or in snow, we lay down our heads. We dig shallow graves, bury our dead, Then wake the next morn and onward we tred. Through trial and pain, we hold to the rod, And thus know God.All that we have in one little cart, Together we push; we each do our part. And somehow our hearts, knit by our chores, Are strengthened to know we'll see temple doors. These rags will be white, for joy is in store Forevermore.
$1.99
1.86 €
#
Chorale SATB
#
Kevin G
#
Into the Wind, sacred music for SATB choir
#
Kevin G. Pace
#
SheetMusicPlus
The Courage of the Seed - soprano solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.918306 Composed by Brenda Dillon. S…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.918306 Composed by Brenda Dillon. Sacred. Score. 7 pages. Dillon's Music Group #6656383. Published by Dillon's Music Group (A0.918306). The Courage of the Seed is based on Mark Nepo's lyrics. He is a poet who perfectly captures courage as seen through the lens of seeds. Seeds crack open in the dark and surrender to a process they can't see. This innate surrender allows everything edible and fragrant to break ground into a life of light that we call spring. The courage of the seed is that once it starts cracking, it cracks all the way. Composition sung by Megan Koch, Resident Artist with the Fort Worth Opera.
$1.99
1.86 €
#
Piano seul
#
Brenda Dillon
#
The Courage of the Seed - soprano solo
#
Dillon's Music Group
#
SheetMusicPlus
The Seed
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and…
(+)
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Glyn Lehmann (A0.510167). What you plant is what you grow.The old saying says 'what you reap is what you sow'. This song turns it around in a way that makes it more accessible to children.A great way to get young minds thinking about how their words and actions affect the world and the people they encounter.SA - Early Intermediate, unison - Easy/BeginnerMy choir's performance of 'The Seed' at the official Grand Opening of the school where I teach was a resounding success! The children loved the song and learnt it quickly.D Taylor, Ontario, CanadaThe SeedWords and music by Glyn LehmannVerse 1Thereâs a saying that you might knowWhat you reap is what you sowTurn it around and so it goesWhat you plant is what you growMm (hum)ChorusWhat you plant is what you growYou wonât get cherries from an apple treeItâs so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growVerse 2A seed of kindness and friendship sownSoon takes root and finds a homeInto the light now it has grownWhat you plant is what you growMmBridgeMeanness is a feral seedKept unchecked a choking weedShuts out the light from those in needWhat you plant is what you growMmChorusWhat you plant is what you growYou wonât get cherries from an apple treeItâs so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growTagGrow, growWhat you plant is what you grow© 2014 Glyn Lehmann. All rights reserved.
$2.25
2.1 €
#
Chorale 2 parties
#
words and music by Glyn Lehmann
#
The Seed
#
Glyn Lehmann
#
SheetMusicPlus
Into the Woods My Master Went (for String Trio – 2 Violins and 1 Cello)
Trio à Cordes: 2 violons, violoncelle
String Ensemble,String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.565640
(+)
String Ensemble,String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.565640 By Sharon Wilson. By Peter C. Lutkin and Sidney Lanier. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred. Score and parts. 12 pages. Sharon Wilson #5038367. Published by Sharon Wilson (A0.565640). The inspiring poem by Sidney Lanier titled Into the Woods My Master Went has been set to a variety of tunes. This string trio arrangement (for 2 Violins and 1 Cello) uses the hymn tune by Peter C. Lutkin. Set in a minor key, the solemn, reflective melody matches the deeply thought-provoking lyrics (see below). Though the lyrics may seem archaic at first, by reading through the words and meditating on the meaning, the beauty of the message becomes clear. This song is especially suited for a prelude or offertory during the season of Lent and Easter.Verse 1 Into the woods my Master went, Clean forspent, forspent, Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him. The little grey leaves were kind to Him, The thorn tree had a mind to Him, When into the woods He came. Verse 2 Out of the woods my Master came And he was well content; Out of the woods my Master came, Content with death and shame. When death and shame would woo Him last, From under the trees they drew Him last, âTwas on a tree they slew Him-last When out of the woods He came.Two unique verses are included interspersed with flowing and melodious interludes. VIOLIN 2 begins with the melody and then the VIOLIN 1 picks up the melody for the remainder of verse 1. The VIOLIN 1 and VIOLIN 2 alternate leading with the melody for verse 2. All notes for both VIOLIN parts and the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Being in a minor key, several D#âs are scattered throughout the VIOLIN 1 and 2 parts which may require planning alternate fingering for smooth note transitioning.The purchase price includes a 5-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN 1, VIOLIN 2, and CELLO (2 pages each).This arrangement is one of the 10 songs in the collection titled Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for 2 Violins and 1 Cello). Visit Sharon Wilsonâs website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.59 €
#
Trio à Cordes: 2 violons, violoncelle
#
Sharon Wilson
#
Sharon Wilson
#
Into the Woods My Master Went
#
Sharon Wilson
#
SheetMusicPlus
Into The Unknown
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1413532 By Pan…
(+)
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1413532 By Panic! At the Disco. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Pax Ressler. Broadway,Musical/Show. 50 pages. Pax Ressler #995350. Published by Pax Ressler (A0.1413532). This is an intermediate arrangement of âInto the Unknownâ (from FROZEN 2 ) for TTBB chorus, two violins, piano, keyboard II, electric guitar, electric bass, and drum set. Full score and parts are included.Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search âPax Resslerâ on Sheet Music Direct, Sheet Music Plus, or visit their website, paxressler.com.
$1.99
1.86 €
#
Chorale TTBB
#
Panic! At the Disco
#
Pax Ressler
#
Into The Unknown
#
Pax Ressler
#
SheetMusicPlus
Into The Unknown
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1192498 By Panic! At the D…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1192498 By Panic! At the Disco. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Pax Ressler. Broadway,Musical/Show,Pop. Octavo. 27 pages. Pax Ressler #791940. Published by Pax Ressler (A0.1192498). This is an intermediate arrangement of âInto the Unknownâ (as performed by Panic! At The Disco) for TTBB chorus, piano, and two violins.Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search âPax Resslerâ on Sheet Music Direct, Sheet Music Plus, or on their website, paxressler.com.
$1.99
1.86 €
#
Chorale TTBB
#
Panic! At the Disco
#
Pax Ressler
#
Into The Unknown
#
Pax Ressler
#
SheetMusicPlus
Into the Unknown
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.915968 Composed by Matthew Birk…
(+)
Brass Ensemble - Level 5 - Digital Download SKU: A0.915968 Composed by Matthew Birkett. Contemporary. Score and parts. 192 pages. MEB Music #1954955. Published by MEB Music (A0.915968). Imagine a journey into the unknown, out of this world, maybe even into it. Imagine the tension beforehand, the unusual otherworldly things you may see. Imagine the pride of your return, eager to tell the world about your exploits. In three linked movements, this piece describes such an adventure, with unusual tempi, time signatures and keys all featuring. Suitable for UK 2nd-3rd Section bands as a contest piece.
$34.00
31.73 €
#
Ensemble de cuivres
#
Matthew Birkett
#
Into the Unknown
#
MEB Music
#
SheetMusicPlus
Into the Woods My Master Went (for String Duet – Violin and Cello)
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.5…
(+)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.565638 By Sharon Wilson. By Peter C. Lutkin. Arranged by Sharon Wilson. Children,Easter,Folk,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #5038361. Published by Sharon Wilson (A0.565638). The inspiring poem by Sidney Lanier titled Into the Woods My Master Went has been set to a variety of tunes. This string duet arrangement (for VIOLIN and CELLO) uses the hymn tune by Peter C. Lutkin. Set in a minor key, the solemn, reflective melody matches the deeply thought-provoking lyrics (see below). Though the lyrics may seem archaic at first, by reading through the words and meditating on the meaning, the beauty of the message becomes clear. This song is especially suited for a prelude or offertory during the season of Lent and Easter.Verse 1 Into the woods my Master went, Clean forspent, forspent, Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him. The little grey leaves were kind to Him, The thorn tree had a mind to Him, When into the woods He came. Verse 2 Out of the woods my Master came And he was well content; Out of the woods my Master came, Content with death and shame. When death and shame would woo Him last, From under the trees they drew Him last, âTwas on a tree they slew Him-last When out of the woods He came.Two unique verses are included interspersed with flowing and melodious interludes. The VIOLIN carries the melody for both verses. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Being in a minor key, a few D#âs are scattered throughout the VIOLIN part which may require planning alternate fingering for smooth note transitioning.The purchase price includes a 4-page combined score with both parts on each page plus separate 1-staff scores for the VIOLIN and CELLO (2 pages each).This arrangement is one of the 10 songs in the collection titled Easy String Duets: Easter Hymns (A Collection of 10 Easy Violin and Cello Duets). Visit Sharon Wilsonâs website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.66 €
#
Violon, Violoncelle (duo)
#
Sharon Wilson
#
Sharon Wilson
#
Into the Woods My Master Went
#
Sharon Wilson
#
SheetMusicPlus
Gustav Holst | I Sowed The Seeds Of Love | for Brass Sextet
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1402634 By Gustav Holst. By Gustav Holst. Arranged by Andrew Lamb. Folk. 35 pages. Andrew Lamb #985858. Published by Andrew Lamb (A0.1402634). ðº Dive into the enchanting world of brass music with this arrangement of Gustav Holst's I Sowed the Seeds of Love! ð¶ Tailored for Brass Sextet, this adaptation offers a delightful musical journey suitable for various performance settings.Crafted with precision, this arrangement boasts a flexible instrumentation lineup: ðµ Part 1: Trumpet / Cornet / Flugel in Bb, Trumpet in C ðµ Part 2: Trumpet / Cornet / Flugel in Bb, Trumpet in C ðµ Part 3: French Horn, Tenor Horn ðµ Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) ðµ Part 5: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) ðµ Part 6: Tuba, Eb Bass (Treble Clef), Bb Bass (Treble Clef)With a medium level of difficulty, this arrangement is perfect for musicians seeking a captivating challenge. Whether it's a concert, recital, or ensemble showcase, this adaptation promises to captivate audiences with its rich harmonies and lively melodies.Bring this arrangement to life and witness the magic it brings to your brass ensemble's performance. Don't miss out on this captivating piece!Please like and subscribe for more videos and music arrangements.
$10.00
9.33 €
#
Gustav Holst
#
Andrew Lamb
#
Gustav Holst | I Sowed The Seeds Of Love | for Brass Sextet
#
Andrew Lamb
#
SheetMusicPlus
Into the Woods My Master Went (for String Trio – Violin, Viola, and Cello)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.565…
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.565639 By Sharon Wilson. By Peter C. Lutkin. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred. Score and parts. 12 pages. Sharon Wilson #5038365. Published by Sharon Wilson (A0.565639). The inspiring poem by Sidney Lanier titled Into the Woods My Master Went has been set to a variety of tunes. This string trio arrangement (for VIOLIN, VIOLA, and CELLO) uses the hymn tune by Peter C. Lutkin. Set in a minor key, the solemn, reflective melody matches the deeply thought-provoking lyrics (see below). Though the lyrics may seem archaic at first, by reading through the words and meditating on the meaning, the beauty of the message becomes clear. This song is especially suited for a prelude or offertory during the season of Lent and Easter.
$5.99
5.59 €
#
Trio à Cordes: violon, alto, violoncelle
#
Sharon Wilson
#
Sharon Wilson
#
Into the Woods My Master Went
#
Sharon Wilson
#
SheetMusicPlus
Into the Woods My Master Went (for Violin Duet)
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.565662 By Sharon Wilson. By…
(+)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.565662 By Sharon Wilson. By Peter C. Lutkin and Sidney Lanier. Arranged by Sharon Wilson. Baroque,Easter,Folk,Praise & Worship,Sacred. 9 pages. Sharon Wilson #5198109. Published by Sharon Wilson (A0.565662). The inspiring poem by Sidney Lanier titled Into the Woods My Master Went has been set to a variety of tunes. This string duet arrangement (for 2 VIOLINS) uses the hymn tune by Peter C. Lutkin. Set in a minor key, the solemn, reflective melody matches the deeply thought-provoking lyrics (see below). Though the lyrics may seem archaic at first, by reading through the words and meditating on the meaning, the beauty of the message becomes clear. This song is especially suited for a prelude or offertory during the season of Lent and Easter.Two unique verses are included interspersed with flowing and melodious interludes. VIOLIN 1 and VIOLIN 2 alternate leading with the melody throughout both verses. All notes for both VIOLIN parts are playable in the first position making this arrangement an excellent choice for early-intermediate string players. However, being in a minor key, a few D#âs are scattered throughout both VIOLIN parts which may require planning alternate fingering for smooth note transitioning.The purchase price includes a 4-page combined score with both parts on each page plus separate 1-staff scores for each VIOLIN (2 pages each).This arrangement is one of the 10 songs in the collection titled Easy String Duets: Easter Hymns for 2 Violins (A Collection of 10 Violin Duets).
$4.99
4.66 €
#
2 Violons (duo)
#
Sharon Wilson
#
Sharon Wilson
#
Into the Woods My Master Went
#
Sharon Wilson
#
SheetMusicPlus
The Seed
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1232528 Composed by Aurora…
(+)
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1232528 Composed by Aurora Aksnes, Michelle Leonard, and Nicolas Rebscher. Arranged by L Meyer. Children,Contemporary,Pop,Singer/Songwriter. Octavo. 6 pages. L Meyer #828192. Published by L Meyer (A0.1232528). This is a choir arrangement (SSAA) for Aurora's The Seed. The essence of the original song takes on a newfound vitality, embracing the transformative nature of musical expression. The choir's voices intertwine, breathing life into the melody, and bringing forth an emotional depth that strikes a chord with the listeners.
$2.00
1.87 €
#
Chorale SSAA
#
Aurora Aksnes, Michelle Leonard, and Nicolas Rebscher
#
L Meyer
#
The Seed
#
L Meyer
#
SheetMusicPlus
Into the Depths - Instrumental Parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.940132 Composed by Christian Je…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #6668913. Published by Christian James Jesse (A0.940132). Instrumental Parts for Into the Depths-Scoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings-You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight beginsâ¦*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-Moore
$20.00
18.67 €
#
Orchestre
#
Christian Jesse
#
Into the Depths - Instrumental Parts
#
Christian James Jesse
#
SheetMusicPlus
Into The Unknown
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1242324 By Panic! At the Disco. By…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1242324 By Panic! At the Disco. By Kristen Anderson-Lopez and Robert Lopez. Arranged by P. F. Strohm. 21st Century,Broadway,Film/TV,Musical/Show,Pop. Score and part. 16 pages. Pete Strohm Music #837634. Published by Pete Strohm Music (A0.1242324). Into the Unknown is Elsa's power ballad from Walt Disney Studios' Frozen 2, expertly arranged by American composer P. F. Strohm for solo cello and piano. This arrangement is perfect for cellists of any age that are fans of Frozen, or just fans of dynamic, soaring solos. This is a wonderful work to develop proficiency in pop rhythms and big, sustained sound. Into the Unknown (for Solo Cello and Piano) is of Medium to Medium-Advanced difficulty (requires a full tone, bow control and mastery of up to 5th position), with a performance time of 3:15. Member, ASCAP. See all music by P. F. Strohm at https://petestrohm.com or https://www.youtube.com/@petestrohm.
$10.00
9.33 €
#
Violoncelle, Piano
#
Panic! At the Disco
#
P
#
Into The Unknown
#
Pete Strohm Music
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. âIs that you kids?â It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship⦠You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâthem pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
#
Chorale TTBB
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
(+)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.53 €
#
Matthew Scott Phillips
#
a shadow
#
The Sundials
#
Matthew Scott Phillips
#
SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.72 €
#
Piano, Voix et Guitare
#
Lisa Waites
#
Lisa Waites
#
We Must Learn to Walk Together
#
Servant Song Music and Ministry
#
SheetMusicPlus
Sing, My Tongue, the Glorious Battle
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michae…
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michaelâs by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:â¢Intermediate 2-page arrangements suitable as either piano or organ solos.â¢Chord symbols included as a service to classical guitarists.â¢Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.â¢Hymn background information included for personal edification or use as printed program notes.â¢Optional repeats which allow you to fit into the allotted time available in a service.â¢An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:      He appeared in a body,       Was vindicated by the Spirit,         Was seen by angels,     Was preached among the nations,       Was believed on in the world,         Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then endingâas many hymns didâwith a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.79 €
#
Piano, Voix et Guitare
#
St
#
Lyndell Leatherman
#
some were not
#
Sing, My Tongue, the Glorious Battle
#
Leatherman Music Services
#
SheetMusicPlus
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.83…
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the collegeâs establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old manâs warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the childrenâs parents gathered, one little boy heard his fatherâs voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95
23.29 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Brett L
#
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
#
Sonata Grendel Publishing
#
SheetMusicPlus
Oot-kwa-tah, Dance of the Seven Sisters
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery.…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the collegeâs establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old manâs warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the childrenâs parents gathered, one little boy heard his fatherâs voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
38.03 €
#
Orchestre d'harmonie
#
Brett L
#
Oot-kwa-tah, Dance of the Seven Sisters
#
Sonata Grendel Publishing
#
SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  ⢠âOne Second to the Futureâ is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  ⢠The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  ⢠The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with âCâ as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   ⢠At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  ⢠The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  ⢠Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark âslow motion.â At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements ⢠Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. ⢠A standard guitar delay and distortion pedal for electric guitar parts one and two is required. ⢠Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
70 €
#
Brent C Robitaille
#
One Second to the Future - Guitar Orchestra
#
Brent C Robitaille
#
SheetMusicPlus
Anthem for Sacred Youth Choir - "Go Make A Difference"
Chorale 3 parties
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412590 By Stev…
(+)
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth Martin. Contemporary,Contest,Festival,Instructional,Praise & Worship,Spiritual. 11 pages. Martin Music Editions #994608. Published by Martin Music Editions (A0.1412590). Get ready to ignite the stage with an electrifying rendition of Go Make A Difference, a dynamic arrangement originally crafted by the talented duo of Steve Angrisano and Tom Tomaszek. Now reimagined for sacred youth choirs, this rendition is a firecracker of energy and inspiration, perfect for those momentous occasions like Baccalaureate or Commencement ceremonies.Tailored specifically for SAB voicing, this arrangement is a breeze to prepare, allowing singers to dive headfirst into its infectious rhythms and uplifting harmonies. With choruses that reverberate with hope and determination, there's ample room for singers to pour their hearts into each phrase, fostering deep connections with the empowering message.The piano accompaniment is a driving force, crafted with the intermediate student accompanist in mind. It pulses with energy, propelling the choir forward while providing a sturdy foundation for the voices to soar.Based on the timeless wisdom of Matthew 5:13â16, the text of Go Make A Difference is a beacon of light in a world hungry for hope. Its words resonate particularly strongly with youth voices, inspiring them to rise to the occasion and be the change they wish to see.But here's where things truly get exciting: soloists take center stage during the verses and final chorus, infusing their unique talents into the performance. And when the breakdown section hits, complete with hand claps, the energy skyrockets, turning the performance into a celebration of passion and purpose.Directors, let your creativity run wild with this arrangement. Use it as a canvas for improvisation, exploring different vocal textures and dynamics. Whether you stick to the script or venture into uncharted musical territory, the possibilities are as limitless as the stars in the sky.With its pulsating energy, empowering message, and unwavering faith, this arrangement of Go Make A Difference is not just a songâit's a call to action. So grab your choir robes, raise your voices, and get ready to set the world on fire with your music!
$2.10
1.96 €
#
Chorale 3 parties
#
Steve Angrisano and Tom Tomaszek
#
Kenneth Martin
#
Anthem for Sacred Youth Choir - "Go Make A Difference"
#
Martin Music Editions
#
SheetMusicPlus
There Shall Be Showers of Blessing
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1389021 By Gaither Ho…
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1389021 By Gaither Homecoming. By Words: Daniel W. Whittle / Music: James McGranahan. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #972539. Published by Leatherman Music Services (A0.1389021). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:â¢Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.â¢Chord symbols included as a service to classical guitarists.â¢Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboardsâfor example, using the piano/strings settingâ¢Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.â¢Hymn background information included for personal edification or use as printed program notes.â¢Optional repeats which allow you to fit into the allotted time available in a service.â¢An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.72 €
#
Piano, Voix et Guitare
#
Gaither Homecoming
#
Lyndell Leatherman
#
some were not
#
There Shall Be Showers of Blessing
#
Leatherman Music Services
#
SheetMusicPlus
Sacred Anthems for Choir 3, sacred choral music
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
17.72 €
#
Chorale SATB
#
Kevin G
#
Sacred Anthems for Choir 3, sacred choral music
#
Kevin G. Pace
#
SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
(+)
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th centuryâs greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewisâ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jackâs Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College â a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick â the model for the Professor of The Lion, the Witch and the Wardrobe. Jackâs Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. âJackâs Journeyâ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. âJackâs Journeyâ may be staged using relatively modest outlay â for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.87 €
#
David Catherwood
#
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
#
Opus 3 Music
#
SheetMusicPlus
<
1
26
51
....
4376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
